{"product_id":"va-workers-playtime","title":"v\/a - WORKERS' PLAYTIME","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll tracks are authentic wartime recordings carefully digitally remastered for CD and download. The booklet includes archive images and detailed historical notes by James Hayward.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTracklist\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. THEME MUSIC \u0026amp; ANNOUNCEMENT 1.45\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. JOHN WATT 3.51\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. COMPLETE 1943 EDITION 30.02\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. ERNEST BEVIN 7.40\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. NORMAN LONG 8.32\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. JACK WARNER 8.59\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. RENEE HOUSTON \u0026amp; DONALD STEWART 10.51\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWORKERS' PLAYTIME\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e liner notes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe idea of entertaining and rewarding war workers was first explored by the BBC through the programme \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMusic While You Work\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, first broadcast in June 1940. The show was intended to relieve the monotony of the factory production line and was aired at 10.30 and 15.00, judged to be the times at which concentration (and thus production) dipped most. The show was repeated at 22.30 for the benefit of the night shift.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePartly on the suggestion of Ernest Bevin, companion lunchtime roadshow \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWorkers' Playtime\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e first aired in May 1941. A live morale-boosting music, comedy and variety show, it was broadcast live from different factory canteens and shop floors across the country. BBC engineers would erect a small wooden stage and sling microphones from the roof for a 'studio' audience consisting of as many workers as could physically cram themselves into the venue. The producer, Bill Gates, signed off each programme with the cheery phrase \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGood Luck, All Workers!\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally broadcast on the Home Service, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWorkers' Playtime\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e transferred to the Light Programme in 1957, eventually running for 23 years and serving the British public from the Blitz to the Beatles. Unlike many other British radio classics of similar vintage, much of it has aged rather well.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWORKERS' PLAYTIME THEME\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1.54)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded 26 May 1941. Here the opening announcement is followed by the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWorkers' Playtime\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e theme performed on organ with vocal chorus.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJOHN WATT: INTRODUCTION\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (3.53)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded 25 October 1941. Here the BBC's Director of Variety, John Watt, explains the origins of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWorkers' Playtime\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and the complexities of recording these shows on location in factories and canteens around the country. By this time the programme was being broadcast three times a week.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWORKERS' PLAYTIME: FEBRUARY 1943\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (30.00)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded 16 February 1943. Broadcast from a theatre on an unidentified factory site, in the presence of HRH Queen Mary. The opening announcement by Bill Gates is followed by a performance of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRose of England\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a medley by pianists George Myddleton and Bruce Merryl. The versatile Claude Dampier and Billie Carlyle then perform an extended comedy sketch, which includes some inept piano playing, tap dancing, acting and even a striptease. Popular tenor Henry Wendon then performs \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCome To The Fair\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTake A Pair of Sparkling Eyes\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, from the Gilbert and Sullivan opera \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Gondoliers\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Elsie and Doris Waters then perform a topical comedy sketch as Gert and Daisy, and perform \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWhen Our Ship Comes Sailing Home\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The show closes with a rousing singalong medley of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTipperary, When Irish Eyes Are Smiling\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePack Up Your Troubles\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, followed by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDaisy Bell\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLily of Laguna\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eERNEST BEVIN: ADDRESS TO WORKERS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (7.50)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded 1 June 1943. Here the Minister of Labour and National Service, Ernest Bevin, talks during a Workers' Gala Night on the second anniversary of the programme. A regular contributor to \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWorkers' Playtime\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Bevin discusses the state of armaments and war industry a year previously, and a \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e'sense of mastery'\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e in the third year of the struggle. Women workers are singled out for particular praise, as are miners, railwaymen, seamen and nurses.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWORKERS' PLAYTIME: NORMAN LONG\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (8.33)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded 16 August 1945. In this section Norman Long delivers two humorous monologues, and sings \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Victory Ball\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLet's Have a Damned Good Grouse\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The war had recently ended with the defeat of Japan. Long was first heard on the BBC in 1922, and claimed to be the first entertainer 'made' by radio. His act was usually billed as \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA Song, a Joke and a Piano.\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWORKERS' PLAYTIME: JACK WARNER\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (9.08)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded 6 June 1946. The popular actor performs Nelson's Column, a recitation featuring his infamous brother Sid, as well as some Civvie Street ditties including \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThanks Workers\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. During the war Warner was made famous by \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGarrison Theatre\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and was the brother of Elsie and Doris Waters. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMind my bike!\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWORKERS' PLAYTIME: RENEE HOUSTON \u0026amp; DONALD STEWART\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (10.57)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded 6 June 1946. An excited audience are treated to a turn by Scots revue artist and actor Houston together with her third husband, American-born actor Donald Stewart. Donald plays the role of a newspaper reporter interviewing Houston, along with renditions of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWait and See, I'll Buy That Dream\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eI Wish\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eJames Hayward\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNovember 2008\u003c\/span\u003e","brand":"CD41","offers":[{"title":"CD","offer_id":41281801748529,"sku":"ryt1792639629485","price":10.07,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6645\/5857\/files\/va---workers-playtime_1.jpg?v=1792639641","url":"https:\/\/suncladfit.shop\/products\/va-workers-playtime","provider":"My Store","version":"1.0","type":"link"}